Napalm Death’s penchant for noisiness is well documented. From their grinding, genre-creating debut LP, Scum, to the groove that has defined much of their post-millennium career, the band’s harnessing of auditory terrorism has seen many facets wrangled into borderline perfection.
“It means a lot to be able to do this” drawls frontperson Alexis S.F. Marshall into a microphone that has been battered against his chest, forehead and the stage.
This is an album that will leave many heads in need of scratching, but once it clicks it is a fulfilling and deeply involved piece of work that could warrant academic essays on its subject matter.
